CV
Brandi could be considered the artist of the improbable or the painter of the imperceptible, but treating only the superficial aspects of his works would be limiting. His experiences with monochrome gold backgrounds as a child helping his Maestro restore church icons and the familiarity with his own interiority lead him to design works where color, the gesture of removal, and surface elevate themselves, giving space a decisive weight.
The result are works having Renaissance harmonies, certainly pretentious and impertinent, where the use of space shifts the attention from the external to the internal through a slow centripetal motion that swallows up the silent eloquence of color, establishing a new rapport with the spectator called to become active element.
